I received my roll of Kodak Ektachrome E100 back from the developers last week, and I've put together a few samples for you to check out. Funny, but it appears the Darkroom (in San Clemente, CA), are using the Fuji Velvia profile for scanning the Kodak film, because the Ektachrome scans look almost identical to Fuji Velvia I've had developed from them in the past, see sample below. I order scans from them just in case the film gets lost in the mail on the way back. As a side note; I've had good luck with the Darkroom for developing my E-6 film, but they don't seem to be able to correctly scan images for shadow details, they're almost totally black, so I always do it myself at home using the...
The compact, inexpensive and easy to operate Agfa Silette-1 was introduced back in the early 1960s, when inexpensive and easy to operate cameras were a dime a dozen. So why did I buy it, and what makes this camera any different than all the others? Well, not too much to be honest, but it does have a few nice features that aren't all that common on cheap cameras, like a good quality lens, full manual controls, and a cable shutter release.
Speaking of 'easy to operate,' this camera is almost point and shoot simple; if you drop in a cartridge of ISO 200-400 negative film, set the aperture to...
The German built Kodak Retina IIIC is a compact folding 35mm coupled rangefinder from the late 1950s. This finely crafted camera features a selenium light meter, and uses an exposure value scale to make changes in equivalent settings quick and easy. Also included, and probably the most notable feature on this camera is the 50mm F/2 Schneider Kreuznach Retina …
The 'Vest Pocket' Kodak models were produced for several decades between the teens and the thirties, and featured numerous lens and shutter combinations, along with some neat colors and coverings, like the 'Sea Gull' finish you see here.
Vest Pocket Kodak Series III models are very small as the name suggests, and they'll easily fit in a 'vest' pocket, or in the back pocket of your jeans. Of course they're 'folders,' meaning they must be opened up and the lens extended before taking pictures, which makes them a bit larger and more cumbersome when you're actually taking pictures.
Our ca1932 review model has a good Kodak Anastigmat F/6.3 lens, along with a decent four speed Diomatic shutter, and thumb screw focusing. Surprisingly...
The Kodak Breeze, (S100EF or Euro-35) was a budget friendly camera that used bold color schemes and simplicity to attract customers, and probably sold by the millions at K-Mart or Walmart back in the very late 1980s into the early 1990s. There are more color combinations for this particular camera than you can imagine; white black, blue, and red bodies, some with different colored buttons. Our review model is white with pink accents, and is often referred to online as the 'Hello Kitty' camera. Kodak wasn't satisfied with just a bunch of goofy colored cameras, so they tried to advance the status a bit from our cartoonish model, to evoking Parisian sophistication and grandeur in another model using the name 'Élysées,' with an elegant cursive font, and faux mother-of-pearl finish.
The picture quality, operating characteristics, and dimensions of the Kodak Breeze are similar to the Canon Snappy 30, except the Breeze has no winding motor, it's all manual, so you don't need any batteries unless you want to use the flash. The Kodak Breeze is a very inexpensive model, but it's capable of taking good pictures with the right film and settings. I really appreciate the small size; it'll actually fit in a shirt pocket without sagging, (like a pack of smokes) as it's so light-weight, especially without batteries.
This popular snapshot camera from three decades ago set me back about $2, and it still works just fine.
If you're bored at work, and looking to goof off for a few minutes, scroll on down for the review; and pretend you're 'somewhere in time.'
I finally tried out the roll of Kodak P3200 Tmax I bought when it first came out, and below are some samples for you to look through. At first glance I notice the film grain is quite fine and sharp for such a high speed emulsion. Based on some of the shots where the sun is still out, but low …
Apparently, Ricoh didn't have much confidence in the FF-90, so they designed a velvet lined casket for each camera, and when it stopped working, you simply put the camera back inside, closed the lid and unceremoniously tossed it in the trash can. Fortunately, the cameras lasted longer than Ricoh thought, and here I am more than three decades later reviewing a good working model.
The Ricoh FF-90 came out soon after the Ricoh FF-3D AF Super, which featured a cool Pontiac checkered dashboard inspired gray exterior. The differences are not huge, but noteworthy; the new updated camera now rewinds after the roll is done instead of just beeping. Also new is DX coding, but you can't change the ISO unless you tape over the contact area of the film canister; however, it now offers a +2.0 exposure compensation button. The top has a huge LCD panel...
The late 1950s brought us a lot of cool stuff, like flying cars, the integrated circuit, and the microwave oven, but few people remember it also brought us some fabulous cameras such as the Electric Eye from Bell & Howell! This particular model is smartly dressed in tweed; it looks great, that's why I bought it.
The Bell & Howell Electric Eye 127 camera featured fully automatic exposure control, a wide view 'special' lens, (with a curved film gate---uh-oh), and a way to adjust the aperture in case you want to override the automatic system. (note; the lens on this camera has a very unusual characteristic, either you'll think it's cool, or you'll hate it and won't ever use the camera again...
