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Argus Super Seventy Five 65mm F/8 Review

The Argus Super Seventy-Five (should've been named 'Super Sixty-Five' for obvious reasons) is a big step up from the 'Seventy-Five' and other fixed focus, fixed aperture fake 'TLR' type cameras.  The 'Super' model includes a rare semi-wide angle 65mm three element lens with three waterhouse punched disk type stops to choose from, and the design is reminiscent of the Kodak Duaflex with 72mm F/8 Kodar.  However, the Kodar has an achromatic doublet type with focusing front element, and the Argus Super 75 has a better anastigmat lens that's quite sharp across the frame...

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Argus argoflex ‘Forty’ review

The Argus argoflex Forty is one of the very best of the pseudo TLR 6x6 box cameras, and the best one I've used so far.  This little gem is from 1950, and the model production years for the "Forty" ranged from 1950-1954.  Oddly, Argus describes the camera in the owner's manual as a 'modified' twin lens type, with a 'built-in flash'---a big negatory on both claims.

The argoflex Forty has a lot of useful (and high-end) features such as; focusing lens, nine blade iris with six marked settings, four shutter speeds with bulb, tripod socket, and shutter cable release.  And the best part; it will work just fine with 120 film as long as you use a 620 take-up spool...

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