Go here for Sony’s new winter trade-in event, good through next month.
Also check out the ‘awesome savings‘ on Sony cameras, lenses and accessories.…
Check out the little No.1 Pocket Kodak, this model is triple green; metal trim, bellows, and outer cover. Not only is the camera green, so is the box and carrying case! If you don't fancy this John Deere green hue, you could also choose brown, blue or gray. This camera was marketed towards people that wanted a bit more than the mundane black on black camera that millions of others already had, but didn't want to spend a lot of money, and had little experience in taking pictures.
Our colorful review camera for today was manufactured around 1930, give or take a year, during the waning period of the 'Autographic' Kodak film era that ended about 1934. It's a small camera, but not really lightweight, and certainly not something that you would but in your shirt pocket. Kodak made 'pocket' cameras that were quite a bit smaller than this one, and others that were huge, and would not fit in any clothing pocket that I've ever seen!
The old No. 1 Kodak takes 120 film, which is still widely available today. Other features include adjustable aperture and shutter speeds, thumb screw focusing and 'time' and 'bulb' mode.
Due to the bad bellows on this camera, I only was able to take a couple of shots by bagging it, (see picture below); so I'm short on actual test shots. I could replace the bellows, but it would destroy the look of the camera, and lower the value too. BTW, if you see one of these colored cameras with a black bellows, it means it has been replaced.
Would you like to see what's possible with a camera manufactured during the era of prohibition? Read on!
Let’s step back once again into the Photojottings time machine, and head over to the south rim of the magnificent Grand Canyon, where we’ll find the ‘Lookout’ (now called Lookout Studio) during a late phase of construction. In this literal glass plate window in time, we can observe Mary Colter’s vision of a structure designed to emulate the natural scenery …
The diminutive Nikon 35Ti was one of the very best pocket cameras that came out in the 1990s, and continues to be impressive even in the age of digital; with their massive megapixels that use complex and very expensive lens designs to work well with a sensor instead of film. Ironically, the now 25+ year old Nikon 35Ti has one of the sharpest lenses I've ever come across; it just seems much sharper with more contrast along the sides than the newer lenses designed for digital cameras; which oddly are much larger and heavier, see the image with the Sony A7R and Sony FE Zeiss 35mm F/2.8 lens inside.
I've had this camera since about 2014 and use it quite often when traveling; it's small and never gets in the way, plus I know all the pics will come out good, and I won't need to waste time checking out my pictures when I get back to the hotel room at night like we all do with digital, right?
For those of you that want a pocket point and shoot camera capable of taking razor sharp pictures, and getting properly exposed slide film; this is your dream come true!!
Ding ding, hey pal, fill ‘er up, but before you do, take a picture of me and my gal! I was photographing a home a few years ago, and noticed a large tray of slides on a table in the hobby room. I asked the homeowner if she took them, and she didn’t really say, but offered them to me …
Let's fasten our seat belts, and get ready for a ride in the photojottings time machine! Oh, and bring your jacket, it's late October and a bit chilly!
For the journey today, we'll head back about a hundred years and visit a quite, leafy neighborhood in West Roxbury, Mass. Henry A Stanley photographed the scene somewhere around 1910-1920. Detail in this century old (undated) 5x7" glass plate negative is stunning, (click image for larger size, shown here at 7000 pixels wide). Check out the gas street lights, especially the close one in the upper extreme left side; the unique street sign to the right, and what looks like an early automobile way down the road. The white blotches on the right are from the paper sleeve that stuck to the emulsion side over the years; I may try to remove it at some point, but I don't have the skill and nerve to try it right now.
The address for the house on the right is 218 Park St...
I'm surprised at the results at 24mm, and 70mm, the Zeiss is not really that much different at wide apertures. The GM lens really shines in the centers at all apertures and focal lengths, and it's very noticeable in these crops.
The Sony 24-70mm F/2.8 GM (B&H Photo) would be great for someone (with deep pockets) that likes to shoot street scenes and landscapes, and wants near prime lens performance, but is not bothered by a large and heavy lens.
The Sony Zeiss 24-70mm F/4 (B&H Photo,) is about half the price (and heft), of the GM, but is totally adequate for day to day shooting if you don't plan on printing tack sharp 24x36" posters. I never print that big, and find the Zeiss will continue to meets my needs in the future, so I'm not going to add the GM lens to my stable at this time. Both lenses offer a lot of performance for the money, you just have to figure out how you're going to use the lens, and what features and qualities are important to you...
Sony has come out with a new 'E' 18-135mm F/3.5-5.6 OSS APS-C $599 lens, the first one since 2013 if you don't count the 18-110 OSS F/4 video lens. Additionally, if you've been pining for a silver A6300, your wait is over. I'm not sure if Sony has set aside any development resources for more APS-C cameras and lenses, your guess is as good as mine.
The new Sony 'E' 18-135mm lens looks like it may perform quite good judging by the Sony MTF graph, and least in resolution and contrast. The optical configuration is 16 elements in 12 groups, with one aspheric and two 'ED' and elements. It has a linear focusing motor, and optical stabilization. I'll be reviewing the lens in the coming months.